Saturday, March 22, 2014
Wednesday, June 27, 2012
Listen to this interview LYRICAL BENJIE Idren in Yesus and Reggae
Jah used my wife to show me this. Uplifting, showing what Reggae is to InI without apology!
I would say, do not underestimate this, whoever you (think you) are. This is why I do Reggae, why Reggae is in me. When other reasons would be there, they are only serving that one reason. That one reason is that Reggae is just the way to express the faith and the Message. I can loose track sometimes but Jah always puts me back right there. I never met Lyrical Benjie in flesh but I am sure in spirit we do even though I am not aware of that in my flesh which cqarries sin next to my soul and spirit.http://dubroom.yuku.com/topic/2757 | ||||
Thursday, June 14, 2012
15 Years Of Dubroom - Flood of MP3 Reviews Coming (Jah Willing)
Greetings Massive!
It has been a long time since I've been reviewing MP3's and releasing podcasts, not to mention putting out my own material. Many reasons for this, some of which are still actuality. I did not have the time, energy or even inspiration to do what I've been doing these last 15 years. That's right, at the time I write this the Dubroom exists already for 15 years this very month!
Yesterday, I uploaded the first podcast after about half a year or so. I'm grateful that I could do it and hopefully I'll find more opportunity to mix shows. I also work on an incredible amount (talking in the hundreds possibly) new MP3 reviews of which you can get the first two tomorrow at dubroomreviews.blogspot.com. or http://dubroom.blogspot.com/. They will later be put on the mp3.dubroom.org website as well.
I hope to be able to provide you with two MP3 reviews per day for the coming months. Jah Willing, obviously. I am in a period wherein I know I have to take it easy, I call it a "partial sabbathical", and I know that Jah is not against this to put it this way. After 15 years, the Dubroom is still there and I do not think that it's wrong to spend time with friends and family as I am re-charging the battery after one-and-a-half decade.
One Love,
Messian Dread
Tuesday, May 29, 2012
This Is Why I Am Getting Sick About The "Music" Assholes
Artists sign their rights away to the industry, the industry fucks the music lovers.
I say: boycot the assholes who sign their souls away and start giving attention to the REAL ARTISTS
Saturday, July 16, 2011
ME ZION DREAD - YESUS KRISTOS GIVES A KNOCK
ME ZION DREAD - YESUS KRISTOS GIVES A KNOCK
DUBROOM MP3 RELEASE
WWW, July 2010 - This hard-hitting DUB with nuff echoed and filtered vocal parts is a musical illustration of a scene in the old Book of the Apocalypse: Yesus Kristos giving a knock on the door fe true. Original Dubroom Hardcore Dub Style!
Indeed, there are many warmongers crying for more and more war even in the Name of the Divine Saviour. The louder they cry, the less chance they hear Yesus Kristos knocking on the doors of their souls. Will they cry until Jah shall come? Until that time, play this DUB with lots of bass and catch the knock!
Saturday, July 9, 2011
Jah Roots - Whole Lotta Dub (2002)
JAH ROOTS - WHOLE LOTTA DUB (2002)
FROM THE DUBROOM STUDIO ARCHIVES
WWW, July 2011 - Once lost but now found: straight from the dusty corners of the Dubroom Studio Archives, where this recording has been mixed probably somewhere in the early years of the 21st century. It's an instrumental track with a whole lotta live Dub mixing by Messian Dread and some masterful keyboard works of Sure D over an Ire One Drop rhythm laid down by Imro Fedor on Drums and Erik on Bass.
You could argue, that the title is not really covering the contents of the track. After all, there is not a single instance in which the drum and the bass play without any other instrument rolling along. Therefore, as said, this is an instrumental track.
Sure D, the keyboard player, recorded several tracks into the -rather primitive- multitrack, all showcasing his talents and skill. The drums was recorded rather primitive, too. Having no budget at all, just two microphones were used and since there was no bass microphone present, the bass drum doesn't really come forward in the mix. Still, a tight drum and bass section can easily be discerned.
So, what about the title?
The answer is obviously in the mix itself. Even though the keyboards are never completely cut off, there is still a Whole Lotta DUB mixing going on. It was mixed live by Messian Dread, everything done in just one take, with the intention to apply subtle Dub mixing in order to emphasize the talents of the players of instruments.
No programming was involved whatsoever during the whole process. In fact, the computer is only used to record the mix and subsequent mastering. Definitely a rare recording, too good to not be shared with those that are interested in the Dubroom's history.
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