To Ifficial Blog Of Messian Dread

Friday, August 8, 2014

Video Release - His Imperial Dubwise (Extended)

MESSIAN DREAD - HIS IMPERIAL DUBWISE (EXTENDED) | OFFICIAL VIDEO
DUBROOM VIDEO RELEASE

 

WWW, August 8 2014 - This is the official video for the extended version of His Imperial Dubwise. The video was produced August 7/8 2014, the music a few months earlier.

The track can be downloaded for free at: http://messiandread.dubroom.org/sounds-trax-197.htm
Available: High Quality MP3 and CD Quality Wave Audio

Now, perhaps you are interested in not just the music but the other contents of the audio (and video) as well. A very good thing indeed.

Please read on.

This video -as well as the audio- contains historical footage that has -perhaps unfortunately- lost not one ounce in relevance. It contains a message for all, but since this was taken from a speech in front of world wide evangelists there is an extra dimension for those (that claim to be) Born Again Christians and yet can only come with negative statements concerning His Imperial Majesty Haile Selassie I Of Ethiopia.

Here are some questions, adressed in the music and even stronger in the video:

Why is it that your average Christian can only say about the Emperor, that he "is not God"? Could it be the propaganda machine of the "Christian Industry" that tries to keep it's customers -the faithfull- far away from the Freedom Sounds called Reggae Music and the knowledge about the Ethiopian Connection in the Bible? Could it be the result of a form of racism that claims how there is a "Judeo-Christian Civilization" in what the Rastaman and many others have rightly identified as Babylon System? Could it be, that a true "Judeo-Christian" Civilization has existed almost from the day our Lord was crucified and rose again?

Where Ethiopia is mentioned almost at the first page of the Bible and in many passages afterwards, a pattern arises that can not be ignored by serious scholars of the Holy Scriptures.

Moses' wife was Ethiopian and Jah punished the racists who protested against that marriage.

The first official representant of any government that heard and accepted the Gospel of Jesus Christ was the Ethiopian Noble Man, who brought back the gospel to a country that was already serving the Most High through the knowledge of King Solomon.

Talking about a real "Judeo-Christian Civilization"!

And so, this video is many things.

First and foremost, this is a wake up call for all born again Christians who think that they are serving God when they denegrate Haile Selassie. Where only portions of Billy Graham's introduction of Haile Selassie to an audience of world-wide evangelists back in 1966 is used, listening to the whole speech (without music) would definitely break down that wall of ignorance even more.

In the same time, this is a wake-up call for those that think Rastafari and Christian livity do not go together or worse: must fight each other. You know who you are, warriors in what is definitely not the good fight even though you might think you are fighting the good fight.

Equally, this video is a livication (rather than a deadication) to all people of all colour who do fight the good fight. The fight against racial injustice, the spiritual fight against spiritual wickedness in high places.

A livication to Billy Graham, who back in 1966 introduced Haile Selassie as "Chief of State who can greet us in the Name of Jesus Christ". In a time where in his own "christian" country apartheid and "christianity" was seen as similar, Billy Graham pointed to a different direction. Check this video: https://www.youtube.com/watch?v=fsciFWj-REg

Comments (more than) welcome!

Monday, August 4, 2014

Studio Dubroom Website Review: Loop Masters

LOOP MASTERS
DUBROOM WEBSITE REVIEW


Read Review/Visit Site

WWW, August 2014 - When you're involved or interested in music production, it's almost impossible to not notice how many websites carry advertisements of LOOPMASTERS.com. When you've recently visited Studio Dubroom or enjoyed the music we've released since April this year, it's even totally impossible to not know about this website. Messian Dread reviews the "Sample Boutique" from his perspective as an online (DUB) Reggae producer.

It was somewhere in the beginning of 2014, that I was browsing the Web in search for some material to use in my music. I had been kind of silent for quite some years, and one of the reasons for that was that I was kind of finished with the sounds that I had produced for some years. Finished with my virtual brass section, finished with my own vocals, and very much impressed by more recent online works from Net Labels mainly in the digital spectrum.

I have this thing with in-your-face digital Dub and other Roots Reggae. I love it, I can make hours and hours of DJ mixes carrying the sounds. I can't, however, produce it myself. It's simply not there, in my soul. At least, not at this moment. After several failed attempts which I don't even want to discuss, I felt myself kind of stuck between the stuff I produced earlier and, well, something I wasn't really sure of.

In this state of mind, I was kind of looking on the Internet for some stuff to work on, or with. Typing all kinds of key-words into the search engine, getting all kinds of websites with shady contents that might be nice for some private productions but for the rest has, let's say, legally questionable material. Sure, it would be nice to download an Acapella by let's say Luciano and be able to create a musical work with it that you can release, right? Well, forget such niceness when you use shady websites like the ones I just described.

Someone once said, in a different context: "Do as they say, not as they do". I took that principal at hand, and went on to look for a legal variety. Is it possible, to get some good quality legal vocal material, preferably of the authentic kind? This is where I discovered just why almost every website with advertisements has this banner linking to LOOPMASTERS.com.

Usually and like "everyone", I ignore banners and ads when I visit a website. The times that I've actually clicked on an ad because I was interested in the site can be counted using the fingers of one hand, and I'm online since the early 1990's. Being the "rebel" that I am, the more I see an ad the less I'm likely to click on it. The reason why I did visit the Loop Masters' website therefore had nothing to do with the publicity. The reason was simply I was looking for legal material, especially vocals, and my search engine gave me the link. The only link.

Now, a few months later, I can only conclude that Loop Masters is the one-stop for most of the most authentic and legal online source material for the production of (DUB) Reggae Music. This is not my suggestion for a slogan to use in yet another banner, it is my personal conclusion at this moment. A conclusion which I would like to share, without apology but with reasoning.

The first thing that I noticed, was a familiar name: Dubmatix. This Canadian producer is without the shadow of a doubt living up to his last name "King" when it comes to Dub and the North American continent. He knows his music, he knows his vocalists and he knows his studio. I looked further and discovered they had a sample pack with material from none other than Mad Professor. My fingers started to itch as I was clicking my mouse. However, I wasn't jumping to the "Sample Boutique" as they very pleasantly describe themselves to get Drum loops and such things. 

This is when I discovered what would become source material for literally all my productions this year, both released and (yet) unreleased or even unfinished. Source material for 10's and 10's of tracks, perhaps even well over a 100. Quality source material, for prices that make you laugh. Authentic quality source material, of which the first serious online review is yet to be written. This review -and the product reviews the Dubroom already published- is only the beginning of a serious promotion campaign to right that blatant wrong. 

Now, do I seriously think that Loop Masters is waiting for a Dubroom review to get customers? Absolutely not. In fact, I am convinced that they have a good running business and probably didn't even notice how the Dubroom reviewed one of it's products only days after it's release (Mad Professor's Reel to Reel Reggae Volume Two). The overwhelming major part of Loop Master's catalogue is aimed at the producer of Electronic Dance Music or EDM, so they're obviously not depending on "our kind of people" (Dub/Reggae producers). 

A kind of independence that -in the case of LOOPMASTERS.com- provides quality of the highest -read: non-commercial- kind.

Let me put it in other words, more blatant. The music we love, (DUB) Reggae, is commercially not attractive. You will not score a world hit with a Dub tune. At least, not yet. There is no strict commercial interest that will drive a provider of Samples and other Soundware to offer (DUB) Reggae related material. There must be some other reason for Loop Masters to offer the things they do, and I can come up with nothing else but a pure love for Reggae. 

So, what I'm reviewing here is actually not really the website LOOPMASTERS.com but rather the things you, as a producer of (DUB) Reggae music can find there. Yes, there is much more than what was already reviewed here in the Dubroom and even though eventually all interesting products will get their own review, you might not want to wait any longer after reading what you're about to read.

Get ready.

Readers and visitors will have read about "Roots Step", a very contemporary form of Roots Reggae that appeals to lovers of DubStep and other forms of contemporary digital stuff. Roots Step is a sound by Berlin based producer DON GOLIATH, who has been interviewed because of his remarkable musical works. His countless tracks feature legendary vocalists like U Roy, Trinity, Dillinger, Kojak, Lone Ranger, and Prince Jazzbo. Others feature more younger but crucial singers like Ras Khaleel, Clifton Yeates, Seamus, Kamouflage, Kontent, Masta Jay, Assante and Tallis. Or MC's like Piracy, Lion Tafari, and Jah Rooti. 

Wait.

It's rather difficult not to notice that some of these names feature in more recent Dubroom productions and in case you've wondered just how it is possible for the Dubroom to produce a Dillinger track, now you know. 

No, Don Goliath and I have not both been shopping at LOOPMASTERS.com. In fact, this is where I got introduced to this name, as Don Goliath is the one who provided the UK based sample boutique with 10's of acapellas he used for his own productions. Original acapellas, proven by the fact that many of the vocalists talk about the Don. 

Under the name "Don Goliath - Reggae And Dub Acapellas Vol. 1-6", LOOPMASTERS.com offers full length lyrical acapellas including a license (quite important). Each volume has a number of tracks. You can buy a volume and pay less per track, or you can -like I did- pay a little more but only get the ones you want. A little nit-picking, because when you're looking at the prices you start to wonder why there is so little music found online that was created with one or more of the acapellas.

Usually, when there's not a sale you will pay around 8 Euros per track. Immediately after you make a purchase, you get "virtual cash" in your account, which is about 10-15% of the money you just spent. You can use this "virtual cash" with a next purchase. When there's a sale, you can get an acapella for as low as five euros this way. Again, this includes a legal license to use the vocal works in your own productions.

When I discovered LOOPMASTERS.com I could not believe that I had never heard any track featuring the vocal works before, in particular with prices like these. I see some non-commercial artists using acapellas from shady sites or jingles from albums that "everyone" knows, with the result that their own productions are shady and can never be seriously considered. This ridiculously cheaply priced series from Don Goliath -and other vocal releases at LOOPMASTERS.com- should put an end to that, in my opinion.

Sure, there are many who -for one reason or another- are unable to perform online payments. Still, this can not be an excuse not to pay attention to the website or the sample packs they offer. It's what I did when I first visited the website: I downloaded the free demo files from all the Reggae vocal packs at the website and some other stuff as well, like Mad Professor's Reel to Reel Reggae. In itself, this was almost the weight of a complete sample pack but that wasn't the only fun these free downloads gave me. They included a license too!

Check this quote, straight from the Loop Masters website:

The demo loops are covered by our General Licence Terms meaning you can use them in your commercial productions with no further royalty payments. If you do use them commercially we would very much appreciate you purchasing the full pack in order to help support our Artists producing the packs, more releases and free samples.

Source: http://support.loopmasters.com/knowledgebase/articles/242293-free-samplepacks-what-can-i-do-with-them

This simply means, that every online artist can -should- register at LOOPMASTERS.com, receive a free welcome pack and start downloading the demo files. It's free and gives your releases a legal foundation, which is not just relevant for obvious reasons: it is a sign of (self-) respect as well.

It did not take me too long before I wanted more than the free packs I downloaded. These free packs, however, had already brought me on a next level. Remember, I was kind of looking for material because I hadn't been producing anything for years because I was finished with my sound. I had found the source material I was looking for. This was indeed a financial investment, but even without any purchase I have done at LOOPMASTERS.com I had material for many, many tracks. Licensed material, that is.

For me, the Loop Masters boutique has provided me with just the right material to improve my sound to a next level. Something which in my idea can easily be recognized just by playing stuff I currently release and comparing it with my older stuff, like on my album "Showcase". No, I am not talking about easy-to-build tracks. In reviews I hope to publish later on the Don Goliath series, this will become very clear. I am talking about inspiring material that challenges me to go beyond what I used to do. Material that is educational, too.

I wasn't asked or paid to do this review. I wrote it because it is my work to promote (DUB) Reggae Music. Even my own productions and releases can and should be seen in that context. I think that when properly used, the material that LOOPMASTERS.com has for the average online (DUB) Reggae artist/producer can serve as a resource to improve the quality of many, many works.

When you're serious about your work, a visit to LOOPMASTERS.com is almost as obligated as having a computer in the first place.

Without apology.

One Love,
Messian Dread
August 4, 2014

 

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Trinity - Light Of This Dubwise ~ Dillinger - Dwell In Love And Dubwise (Extended Versions)

TRINITY - LOVE OF THIS DUBWISE/DILLINGER - DWELL IN LOVE AND DUBWISE (EXTENDED VERSIONS)
DUBROOM NET LABEL RELEASE

More Info and Download

WWW, August 2014 - Two Heavyweight Dubwise tracks in their extended version, both carrying the voices of two Heavyweight Reggae MC's each with their own impressive career dating back to the 1970's when Dillinger made a world hit with "cokane in my brain" while Trinity voiced the now absolutely classic Jesus Dread for Yabby You. Listen how they sound on the original Dubroom riddims in this fully legal and licensed free virtual 12", and then get ready for the full length DUB album that follows after this release. 

Granted: most 12" vinyl releases will carry Discomixes that sometimes last up until 9 minutes, where the two tracks on this release together last about eleven minutes. However, the longer a track the less room there is for a good bass and that's the reason why this release is brought to you as a virtual twelve inch maxi single: this is Sound System Style Dubwise and that means nuff bass!

TRINITY - LIGHT OF THIS DUBWISE (EXTENDED)

The track opens with the typical Sound System DUB Siren, while Trinity starts introducing the track and the Name of the Light of this world, when the basds drops in, the drums follows and there is a militant style stepper with nuff space for MC's to add their own lyrics without forgetting the fact that this is a Messian Dread Dub and that means nuff Dub mixing as well. 

DILLINGER - DWELL IN LOVE AND DUBWISE (EXTENDED)

With excellent backing vocals from none other than Don Goliath, Dillinger's part of this two-track release has a less militant yet equally strong Roots vibration. On the other hand, the Dub mixing is more intense in this one. The horns, recorded in Mad Professor's Ariwa studio, are completely transformed at times. Like the vocals, that is. More than enough message in this one, too!

Both tracks also appear on the full-length album MESSIAN DREAD PRESENTS A HEAVYWEIGHT DUBWISE SELECTION WITHOUT OBJECTION, available for free download and physical CD with full Artworks.

1. Trinity - Light Of This Dubwise Extended (5:26)
2. Dillinger - Dwell In Love And Dubwise Extended (5:46)

Please do not re-publish the actual music, because unlike Dubroom releases before 2014, this release is © Messian Dread/Dubroom. Available for free: 128 Kbps/320 Kbps MP3 Files, CD Quality Wave Audio.

OFFICIAL VIDEO

CLICK HERE FOR MORE INFO AND DOWNLOAD

Saturday, August 2, 2014

Radio Dubroom Extra Chapter 3: The Genius Mad Professor

THE GENIUS MAD PROFESSOR
RADIO DUBROOM EXTRA CHAPTER 3


Chapter Page

WWW, August 2014 - To illustrate the words of the Dubroom's review on Mad Professor and his countless works from his ARIWA studio's with some heavyweight power Dub sounds, here is Chapter three of Radio Dubroom Extra. This chapter contains two hours and twenty minutes of stricktly Ariwa material from the early 1980's to more recent times. 

The Mad Professor has done so many things with so many singers and players of instruments that it is impossible to claim to give a "complete overlook" or whatever. This mix, too, does not give credit enough to the works of Neil Fraser aka the Mad Professor. However, it's selected with care, and mixed in a no-nonsense style without too much extra effects and jingles and thing.

Put on your headphones or even better: turn on your speakers and subwoofers and make a joyfull noise in your neighborhood. Or google the album titles that come with each title. 

PLAYLIST

01. Intro
02. Mad Professor - Superman Dub (The Next Revolution Will Be Dubwise)
03. Pato Banton - Riot (Discomix) (Mad Professor Captures Pato Banton)
04. Pato Banton - Nuff Kind A Dread (Discomix) (Mad Professor Captures Pato Banton)
05. Macka B - Cultural Dub (Hold On To Your Culture)
06. Macka B - Hold On To Your Culture (Hold On To Your Culture)
07. Macka B - Who Are The Terrorist? (Discomix) (Buppie Culture)
08. Mad Professor - Middle Eastern Affair (The Next Revolution Will Be Dubwise)
09. Mad Professor - Liberation Nation (The Next Revolution Will Be Dubwise)
10. Shalome - United Dub (Good Vibrations)
11. Shalome - United Nations (Good Vibrations)
12. Shalome - Chant Nyabighi (Good Vibrations)
13. Shalome - Nya Dub (Good Vibrations)
14. Jah Shaka - Zulu Hut (A New Decade Of Dub)
15. Jah Shaka - Morphing Dub (A New Decade Of Dub)
16. Sandra Cross & The Wild Bunch - Can't Let Dub Go (Stepping In Dubwise Country)
17. Sandra Cross - Country Living (Country Life)
18. Delana - Stylers (Ariwa '81 Sessions In The Front Room)
19. Mad Professor - Dubwise (John Peel Sessions)
20. Mad Professor - Sweet Sweet Victory (Dub Me Crazy)
21. Mad Professor - Tumble Down (Dub Me Crazy)
22. Benjamin Zephaniah - Roots And Culture (Belly Of The Beast)
23. Aisha - Carnal Mind (True Roots)
24. Aisha - Carnal Dub (True Roots)
25. Aisha - It's Not Right (True Roots)
26. Aisha - Righteous Dub (True Roots)
27. U Roy - True Born Dub (True Born African Dub)
28. Mad Professor - Freedom Broadcast (Who Knows The Secret Of The Master Tape)
29. Mad Professor - Black Heroes (Afro-centric Dub)
30. Michael Prophet - Rootsman (Rootsman)
31. Michael Prophet - War In The City (Rootsman)
32. Michael Prophet - Dub War (Rootsman)
33. Mad Professor - Version 3 (Jah Is My Light) (Afro-centric Dub) 

LISTEN TO THE SHOW

Radio Dubroom Extra features music which cannot be played on the Radio Dubroom podcast for legal copyright reasons. The shows cannot be downloaded. All tracks in this show (C) by artists and labels. This show (C) by Dubroom. The actual mix is hosted on www.mixcloud.com/dubroom and should be completely legal. For copyright issues visit http://support.mixcloud.com/customer/portal/topics/70420-listening/articles

Monday, July 28, 2014

Presenting A Heavyweight Dubwise Selection Without Objection

PRESENTING A HEAVYWEIGHT DUBWISE SELECTION WITHOUT OBJECTION
MESSIAN DREAD MUSICAL UPDATE JULY 28 2014

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WWW, June 28 2014 - With 16 Tracks released and another 14 already done and scheduled for release, the year 2014 is definitely one of my most productive these last five or so. In this update, I would like to expand a little bit on these releases and my "Ariwa Sessions" (work title!) project as well as a number of other things.

Yesterday was the official release date of a virtual 7" featuring Ras Kitchen, which included an official videoclip as well, the second official video clip I did with one of my productions. I'm hoping that this release will raise at least a little bit of support for this remarkable Jamaican brethren.

This year is a productive one thusfar, that's something I can safely say. Both in quantity and, I hope, in quality. I've been sharing some unreleased tracks with some producers and I got positive feedback. A couple of brethren who are close friends of mine could not even recognize my mark, which is, well, remarkable. 

It's not just the fact that I've been shopping licenses (and attached recordings) that made my music change significantly, or the fact I'm using different effects and a lot of additional techniques that were previously unavailable for me. Not just the fact that all of this is enormously inspiring as I am able to reach deeper (or higher, if you will) levels. It's not just the fact that I am absolutely learning enormously, just by trying and applying things.

It's also the new hardware: 64 Bit, 8 Gigabytes of RAM and some more impressive computer tech-know that goes beyond my comprehension but something to do with dual core Intel whatever. The system is now running more or less smoothly after an initial two weeks of enormous frustration with hanging sound devices, Windows 8 with bizarre ways of denying you access to your own computer's hard drive locations and what have you. For an old-skool guy who started with MSX computers and MS-DOS back in the 1980's, it can be very frustrating to have to deal with gadgets designed for people who do not know how to deal with hard drives, programs, even files, and not knowing how to bypass these gadgets or "apps" as they're called. 

But I did it.

My programs (not "apps") are functioning, the few programs that do not work on this one do work on an older computer which I have here, so I should be technically ready to produce.

In fact, I am.

Even more: I'm grateful for the music that is already out there. 

Thus far, I have only released a couple of discomixes, one of which a mini one. The rest is stricktly dubwise. It's absolutely my intention to release more full length lyrical tracks with Dub mixes and I can say that because I already have the full length lyrical recordings plus licenses right here in the Dubroom. I'm not going to drop names here, because that's a thing I do in an upcoming album that is already mixed and mastered. It has the truthful title MESSIAN DREAD PRESENTS A HEAVYWEIGHT DUBWISE SELECTION WITHOUT OBJECTION, about which more later in this update.

I've been uploading my music at a number of Online Music Distributors (OMD's) these last weeks as well and wrote an article featuring some of them. They all have their pro's and con's, but that is what that article was about and I know the difference between a repeat and an echo, at least I think I do, so I'll leave it at that. Just one little thing, though: that article will -Jah Willing- definitely get a follow-up. 

Here is where the current musical productions can be found, if you want to take a look:

ICOMPOSITIONS.com - CLICK
LAST.fm - CLICK
REVERBNATION.com - CLICK
SOUNDCLICK.com - CLICK
VERSIONIST.net - CLICK

Next to a number of tracks which are scheduled for release in the coming weeks, and the many vocal tracks which I hope to be able to produce later this year, I felt myself drawn hard into what I privately call my "Ariwa Sessions". It's just a private work title so don't take it too literal. It's the result of my purchase of Mad Professor's Reel To Reel Reggae Volumes One and Two, the latter just released by Loopmasters this last July 2014. For the non-technical reader: this is a wealth of material straight out of Ariwa's studio's to be used in own productions. 

I already released a three track EP with extended Dubs called "Reel To Real Dubwise", but at this moment I have fourteen different riddim tracks which -after just a little bit more tweaking here and there- should be ready to be transformed in a full length Dub album. This album will sound like a combination of Mad Professor's work and that of myself, which it actually is. A virtual Ariwa session for me. I want to take my time with this, because this is material that not just deserves to be treated with respect, it simply demands it.

All this work in the studio that I'm kind of busy with since around May this year is now starting to show public fruit. I'm not really promoting my releases like I used to do, just through the various OMD's and a forum here or there, but I'm really grateful to see that sometimes as quick as twenty minutes after a new release is published at the Dubroom, the downloading starts from all over the world right here at the Dubroom server or it's mirror at Kim Dotcom's MEGA.co.nz. 

One of the planned releases is a full length Dub album entitled MESSIAN DREAD PRESENTS A HEAVYWEIGHT DUBWISE SELECTION WITHOUT OBJECTION. It's a rather lengthy and little bit theatrical title, but truthful. This is a twelve-track Dub album which has many, many vocal parts in the tunes and definitely gives an indication to things I hope to be able to release later this year.

Click For Large Image (1500x1500)

The album features well known and even legendary names like U Roy, Kojak, Dillinger, Trinity, Prince Jazzbo, Dennis Alcapone and Horseman. Also featured is Iration Steppa's Dan Man plus singers like Seamus, Ras Khaleel, Tallis and a female DJ called Piracy. At a later stage, the Dubroom will pay in-depth attention to these vocalists but for now I just mention these names. 

Then there is what I consider to be a more than excellent backing vocals by a UK based Dubstep singer called Aiva and another non-Reggae UK based vocalist called Mandy Edge. Both singers definitely give a touch to the music, because they are talented and skillful where Reggae by it's very nature can absorb elements from other musical ways without even losing a millimeter in authenticity. I like to think that this is an accomplishment in my more recent material.

Here is the track list:

TRACKS:
1. Dennis Alcapone - Dub The Dub You Dubwise (4:15)
2. Dan Man - Blaze The Dubwise (3:41)
3. Dillinger - Dwell In Love And Dubwise (3:45)
4. Trinity - Light Of This Dubwise (3:55)
5. Kojak - Prevailment Of Dubwise (3:43)
6. Messian Dread - Loving Dubwise (3:46)
7. Prince Jazzbo - Rastafari Dubwise (3:29)
8. Seamus - Babylon Dubwise (5:15)
9. U Roy - Mash Down Satan Dubwise (4:00)
10. Horseman and Dan Man - Robber Dubwise (3:39)
11. Messian Dread - Crazy But Dubwise (3:43)
12. Lone Ranger - Rock And Come in Dubwise (3:48)

In fact, I am so happy with and grateful for the fact I'm able to release this work that I'm currently looking into several possibilities of having the material presented on physical CD as well as (free) download. Just a service for people who would like a CD with full artwork wrapped in cellophane sent to them by mail. The CD, by the way, will have a few extra tracks which are already released to make it into a full 70 minutes Dub experience.

BONUS TRACKS:
13. Messian Dread - His Imperial Dubwise (4:03)
14: Dennis Alcapone - Dub To Be Conscious (3:54)
15. Horseman and Dillinger - Dangerous And Dubwise (4:16)
16. Dillinger - Dwell In Love And Dubwise (Ext.) (5:26)

The Artwork is already made and at the moment I write this, I've just concluded an upload to AMAZON.com since they have this print-on-demand service just like REVERBNATION.com, where the CD is already available. However, Shipping and Handling costs for one CD there are 15 dollars to get it in the Netherland where I live. I'm not going to actively promote the CD at Reverbnation since I think 22 dollars is a bit too much and this is only a service to people who would like the extra dimension of having the physical CD with Artwork (click to enlarge a little). 

Since I have to wait about ten days before the CD can go live at Amazon, I'm just mentioning the whole CD project here in this newsletter. I've probably made a mistake or two as well in my Amazon submission, so it might even take longer than that before I myself have a copy and can decide if it is ready for promotion or in need for change.

Something else that was on my mind but never really possible is to work on video clips. 

Thus far I've done just one, and a promo for my Reel to Real Dubwise EP, but Jah Willing there will be more as I'm trying to discover just what you can do simply by using Windows Movie Maker. Making a YouTube video is a good way of getting something across, like a musical track or a message or both, and hopefully this will be a regular with new musical releases.

Well, hopefully I've summed up about everything and added some new information as well concerning the current musical projects I find myself involved in. Looking forward to your feedback!

One Love,
Messian Dread

 

Saturday, July 26, 2014

Ras Kitchen - Anything Inything/Stay When it Dubs (Virtual 7")

RAS KITCHEN - ANYTHING INYTHING/STAY WHEN IT DUB
DUBROOM NET LABEL RELEASE

Visit Download Page

WWW, July 2014 - Visitors and readers of Studio Dubroom will have had the opportunity to get to know RAS KITCHEN, whose voice is used for this two-track Dubwise release. Now is the time for all readers and visitors of the Dubroom to get acquainted with this remarkable Jamaican brethren as we humbly present almost eight minutes of Ras Kitchen In Dub!

Ras Kitchen lives a humble life with his family in the hills of Jamaica. At times, he welcomes visitors in his yard and introduces them to this life, giving them a wealth of knowledge and insight that they would never have gotten if they would just have visited the tourist places. Another thing the Ras is known to do is to introduce Ital Cooking and Jamaican Cooking to the world wide audience and nation-wide on Jamaican television. His video's are priceless, even when you are not into cooking!

In order to raise a little bit of money, for just a a little bit more decent living if you will, Ras Kitchen released two free vocal sample packs from his website. They are reviewed for Studio Dubroom, a sub-site of the Dubroom where producer of (DUB) Reggae can find information and download things. It's not really something for people who are not actively involved in producing Reggae Music, but when Ras Kitchen comes with two Dubwise tracks produced in the Dubroom Studio especially for the Ras things obviously change.

The first "side" of this "virtual 7 inch" is the more relaxed one. As Ras Kitchen speaks about Rastafari and how the music will "just gwaan, right on and on" while the -excellent- backing vocals speak about "no regrets", the drum and bass leads us all the way from the top to the very last drop while some heavyweight Dub mixing goes on, at times completely scattering the chords into a thousand pieces.

"Stay When It Dub" has a much more intense vibe, both in the hints to JAH, the Source of Living Water, as well as the music and mixing. The effects are layered on top of each other, while the heavyweight bass and drum keep on playing. Every now and then they make room, sometimes for a flute and at other times something different happens.

The music is created and mixed with JAH love and respect for RAS KITCHEN. When you at least like the music a little bit and you have a little bit of money to donate, please visit his website and use PayPal to donate. And tell them the Dubroom sent ya. Or don't.

With Backing Vocals of Dan Man and Aiva.

 

 

TRACKS:

1. Ras Kitchen - Anything Inything
2. Ras Kitchen - Stay When It Dub

Please do not re-publish the actual music, because unlike Dubroom releases before 2014, this release is © Messian Dread/Dubroom. Available for free: 128 Kbps/320 Kbps MP3 Files, CD Quality Wave Audio.

CLICK HERE FOR THE DOWNLOAD PAGE

Saturday, July 19, 2014

Messian Dread - Reel To Real Dubwise EP

MESSIAN DREAD - REEL TO REAL DUBWISE
DUBROOM NET LABEL RELEASE

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WWW, July 2014 - Three extended Dub mixes, coming from a collection of fourteen different riddims created for an upcoming album featuring the sounds of Mad Professor's Ariwa Studio and even his voice. Along with many others, that is. This is the first fruit of my purchase of Mad Professor's Reel To Reggae Part One and Part Two, and apart from the effects and vocals everything you hear is taken from this two-part Sample treasure. Deliberately, to show the musical power of Ariwa's sound and to give weight to the title of the EP itself.

It's very difficult to say where Mad Professor's work ends and my work start in these three mixes without getting technical. All three tracks are obviously Ariwa sounds but in the same time my own styles and techniques can easily be recognized as well. I took drums, bass, keyboards and horns and made them fit. Sometimes this would work "instantly", other times I sliced loops and completely re-arranged them. Sometimes, I changed pitch of a loop to make it match the chords and the bassline. But never did I add an instrument or even soundscape from my own library. I did with vocals, though...

Actually, this is part of a larger project that I found myself drawn into after I purchased Mad Professor's Reel To Reel Reggae Volume Two and wrote the first review on it, only a day after it was released. I found the material so inspiring, that I started to construct some riddims and before I knew it I had fourteen different riddims plus a lot of ideas in my head. Let me just say: album.

At the moment this is written (July 15th, 2014) the riddims are still under construction. There will obviously extra elements like instruments and soundscapes, but since I am so enthusiastic about Reel to Reel Reggae I thought it would be a good idea to release three extended Dub tracks carrying only the musical/instrumental sounds from the two volumes. I promote Reel To Reel Reggae without apology and the best way I can do that is to do release this music. This is the kind of music that can be constructed from the sample packs with a little bit of effort and work.

Since I'm currently still working on the riddims, I can -and will- only give some personal impressions and feelings about working with Ariwa material. I remember as a teenager in the early 1980's I bought Mad Professor's Dub and phoned the number that was on the sleeve of the albums. I have spoken with Mad Professor just as a teenager who wanted express my happiness with his music and he did take the time for me even though I wasn't a business man or manager, just a teenager with love for the music. This remains is a precious memory for me, and now when my body approaches it's 50th year I know how decisive that half hour or so was for my later years as online (DUB) Reggae producer.

Of course I thought about this moment a couple of times while I was working on the material that now gave birth to this EP and -JAH Willing- later to an album (or more). It gave a special vibe as I was getting the different instruments to match each other, creating my own personal touch. Putting my soul to the music, if you will. Using elements of tracks that I love or well-known riddims like "Africa Must Be Free By 1983", which you can hear back in "Dub Weh Senseless Killahs", and make my own patterns of them. 

A deep sense of respect rises, when you have a little ear for the richness of the sounds. Working with this material is like a DIY seminar from Mad Professor. Where for example I pay great attention to my bass lines musically, I am working now with bass lines that musically I would never even consider. But simply because of the sound of the bass, these lines become crucial in themselves. This is a lesson that all Dub producers have to learn, especially when they have a little musical background and want to put a lot of effort in the music. In the end it is about the sound and a boring bassline can become a bomb, where a musically interesting bassline can become like a toy-sound when stuff is not done correctly.

There, I said it before: I had to get into the tech-know a little bit.

Now, back to the music.

Three extended Dub mixes, especially created for this EP. Three different riddims that -JAH Willing- will also be used for an upcoming Dub album that will have extra content other than "just" the vocals and also eleven other riddims as well. I sincerely hope you like Reel to Real Dubwise! CLICK HERE for the official release notes at the Dubroom's Net Label pages.

TRACKS

1. Dub Weh Blasphemer (6:17)
2. Dubhorse Lane (5:33)
3. Dub Weh Senseless Killahs (6:16)

Please do not re-publish the actual music, because unlike Dubroom releases before 2014, this EP is © Messian Dread/Dubroom. Available for free: 128 Kbps/320 Kbps MP3 Files, CD Quality Wave Audio.

CLICK HERE FOR THE DOWNLOAD PAGE

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